zavkram
01-20-2009, 09:37 AM
Which of these two cartoons do you prefer, and why?
Heavenly Puss (http://www.youtube.com/watch?v=ZxXbDJ9ovf4)(MGM, 1949)
Satan's Waitin' (http://www.youtube.com/watch?v=DXDaBeSQ-Iw)(Warner Bros., 1954)
(Incidentally, there were at least four different versions of Heavenly Puss posted on YouTube. The one I selected had the best sound, overall. There was another version which was visually-superior, with better color-correction, but unfortunately it also appeared to be time-compressed by about 19 seconds; with the result that the soundtrack sounds sharp in pitch.)
My vote goes to Heavenly Puss; because, for me, it is more dramatically satisfying. There is an underlying tension that is palpable in this cartoon; especially in the climactic scene where Tom is desperately trying to get Jerry to sign the "certificate of forgiveness" as the "Heavenly Express" begins to pull away from the station. Tom is a very sympathetic character here and it's easy to feel sorry for him. The music score in this cartoon is, I believe, one of Scott Bradley's finest. In fact, this was one of several Bradley scores that I had taped "live" off the TV with my old "Radio Schlock" cassette recorder when I was a kid... I used to listen to these alone, separated from the visuals and marvel at their sheer invention. The Hanna-Barbera unit at MGM and the Tom and Jerry cartoons were at their peak during the late 1940's (in terms of creativity and production values) and the principal animators had by this time been more-or-less standardized (with a few exceptions) in the grouping of Ken Muse, Ed Barge, Ray Patterson and Irven Spence.
The only two flaws in the story are that 1) Tom is doomed to eternal damnation for having tormented Jerry while on Earth and 2) the cartoon also ignores the time-honored convention that cats actually have nine lives; unless one simply just assumes that Tom had already used up his previous eight lives in his past pursuits of Jerry. Mike Barrier, in his book, Hollywood Cartoons, has pointed out that if the act of chasing (then presumably killing and eating) mice was indeed a cardinal sin then no cat would ever make it into Heaven.
I will admit that Satan's Waitin' has some good gags (like when Sylvester gets flattened by a steamroller); although I feel the final gag with the two safecrackers is just a little bit on the corny side. Director Friz Freleng appears to be going more for belly-laughs here, rather than suspense or sympathy. To its credit, the story at least observes the convention that cats have nine lives; at the same time, however, the concept that a cat must go to Hell for simply following its natural instincts (i.e., targeting and pursuing its prey) is a little hard to swallow...
OK, that's my two cents... let's hear from others. What's your vote? Unfortunately I don't have the means to make one of those nifty poll screens where you can actually cast a vote; so you'll just have to make your choice(s) here in this thread... sorry!
Heavenly Puss (http://www.youtube.com/watch?v=ZxXbDJ9ovf4)(MGM, 1949)
Satan's Waitin' (http://www.youtube.com/watch?v=DXDaBeSQ-Iw)(Warner Bros., 1954)
(Incidentally, there were at least four different versions of Heavenly Puss posted on YouTube. The one I selected had the best sound, overall. There was another version which was visually-superior, with better color-correction, but unfortunately it also appeared to be time-compressed by about 19 seconds; with the result that the soundtrack sounds sharp in pitch.)
My vote goes to Heavenly Puss; because, for me, it is more dramatically satisfying. There is an underlying tension that is palpable in this cartoon; especially in the climactic scene where Tom is desperately trying to get Jerry to sign the "certificate of forgiveness" as the "Heavenly Express" begins to pull away from the station. Tom is a very sympathetic character here and it's easy to feel sorry for him. The music score in this cartoon is, I believe, one of Scott Bradley's finest. In fact, this was one of several Bradley scores that I had taped "live" off the TV with my old "Radio Schlock" cassette recorder when I was a kid... I used to listen to these alone, separated from the visuals and marvel at their sheer invention. The Hanna-Barbera unit at MGM and the Tom and Jerry cartoons were at their peak during the late 1940's (in terms of creativity and production values) and the principal animators had by this time been more-or-less standardized (with a few exceptions) in the grouping of Ken Muse, Ed Barge, Ray Patterson and Irven Spence.
The only two flaws in the story are that 1) Tom is doomed to eternal damnation for having tormented Jerry while on Earth and 2) the cartoon also ignores the time-honored convention that cats actually have nine lives; unless one simply just assumes that Tom had already used up his previous eight lives in his past pursuits of Jerry. Mike Barrier, in his book, Hollywood Cartoons, has pointed out that if the act of chasing (then presumably killing and eating) mice was indeed a cardinal sin then no cat would ever make it into Heaven.
I will admit that Satan's Waitin' has some good gags (like when Sylvester gets flattened by a steamroller); although I feel the final gag with the two safecrackers is just a little bit on the corny side. Director Friz Freleng appears to be going more for belly-laughs here, rather than suspense or sympathy. To its credit, the story at least observes the convention that cats have nine lives; at the same time, however, the concept that a cat must go to Hell for simply following its natural instincts (i.e., targeting and pursuing its prey) is a little hard to swallow...
OK, that's my two cents... let's hear from others. What's your vote? Unfortunately I don't have the means to make one of those nifty poll screens where you can actually cast a vote; so you'll just have to make your choice(s) here in this thread... sorry!